论传统工笔花鸟画中造型与线条的重要性

论文总字数：6723字

摘 要

传统工笔花鸟画是中国悠久艺术史中的一朵奇葩，以其特有的刻画精致见长。造型是工笔花鸟画的中心，而线条是构成造型的基础，也是工笔花鸟中最基本的要素。了解工笔花鸟画的发展史，能更深入地了解工笔花鸟的线和造型特点。本文从造型开始梳理，工笔花鸟相对写实的造型是为了更好地表现作者的内心世界，追求相对写实而不是绝对写实，客观世界与主观思想相结合。工笔花鸟画是以线造型，根据不同事物的特征，有着不一样的表达方式，顿挫的线条，流畅的线条，枯墨组成的线条，都代表着不同的事物特点。只有系统地了解描绘对象，选用合适的线条，才能完美地表现出工笔花鸟的韵味。

关 键 词：工笔花鸟，造型，线条，表现形式

Abstract：Traditional Chinese painting is an exotic flower in the long China in history, with its unique characterization of sophisticated , modelling is exquisite brush flower and bird painting center, lines also constitutes the foundation of model, is the most basic elements of meticulous flowers and birds. To understand the history of the development of flower and bird paintings to a deeper understanding of the fine brushwork flower and bird painting line and other, began to consist of relatively abstract symbol patterns emerged from the Neolithic pottery, gradual development, relatively abstract symbols into lines, pattern is the most primitive type. This paper began to understand from the other, flower and bird relative realistic foundation of modeling, and then added in relatively realistic modeling is to better represent the author"s inner world, the pursuit of a relatively realistic rather than absolute realism, to the objective world and subjective ideas combining. The so-called "painting homology", flower and bird shape is composed of many lines, these lines according to the characteristics of different things, have different ways of expressing, setback lines, smooth lines, dry ink composition lines, represent different things, not a kind of feature. Only a thorough understanding of the description of the object, can be used for its lines, a perfect performance.

Keywords:Traditional :Chinese realistic painting of flowers and boirds, modeling, pattern of manifestation

目 录

1 引言............................................................................................................6

2 工笔花鸟画的起源和发展…………………………………....................6

3 工笔花鸟造型的准确性…………………………………………………6

3.1 注重写实的造型基础……………………………………………….......7

3.2 工笔花鸟的造型意义………………………….......................................7

4 线—工笔画中的精髓……………………………………………............7

4.1 线的造型………………………………………………...........................7

4.2线条的韵味…………………………………………………………........8

4.3独特的线条表现手法………………………………………………........9

结论..................................................................................................................10

参考文献..........................................................................................................11

致谢..................................................................................................................12

1 引言

尽管中国画的革新以色彩为突破口，但是造型却是一幅工笔花鸟画中的主体，不管是西方还是中国，造型基础都尤为重要。①离开了线，造型就无法成立。所以在今天，我们应该要了解工笔花鸟中的造型和线的重要性，并继承中华民族最具特色的绘画手法。唐宋时期随着经济的发展和统治者对工笔花鸟的推崇，工笔花鸟画得到极大的发展，到了元朝以后，大家轻视工笔花鸟，认为这只是工匠的工艺，而不是画家真正的作品，本文将在熟悉工笔花鸟的基础上将阐述工笔花鸟并不是简简单单根据现实的物体，照搬到画面中去，而是有着自己的思想，依照画家的思维处理，形成一种美的画面。尤其是线的重要性，如笔法、力度、用笔等许多方面。

2 工笔花鸟画的起源与发展

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